French , 1600-1682  Related Paintings of Gellee Claude,dit le Lorrain :. | St Christopher | Crucifixion | On the Beach,Howth | William IV | Moise Kisling |
Related Artists:
BRAMANTINO
Italian High Renaissance Painter, ca.1460-1530 Leonaert/Leonard Bramer alias Nestelghat (Dec 24, 1596, Delft - buried Feb 10, 1674, Delft) was a Dutch painter, best known for probably being one of the teachers of Johannes Vermeer, although there is no similarity between their work. Bramer's dark and exotic style is unlike Vermeer's style. Bramer was primarily a genre and history painter, but also made some unique frescos, not very often found north of the Alps. Leonaert Bramer is one of the most intriguing personalities in seventeenth-century Dutch art. He was a talented and diligent draughtsman, evidently Catholic and a life long bachelor.
Franz Pforr
German 1788-1812 He received his earliest training from his father, the painter Johann Georg Pforr (1745-98), and his uncle, the art professor and first inspector of the painting gallery in Kassel, Johann Heinrich Tischbein the younger (1742-1808). In 1805 he became a student at the Akademie der Bildenden Kenste in Vienna, which was dominated by the severe Neo-classicism of its director, Heinrich Feger; he was taught by Hubert Maurer (1738-1818), Franz Cauzig (1762-1828) and Johann Martin Fischer. During the war with France in 1805, Pforr volunteered as a guard in the Vienna militia. He suffered a nervous breakdown, brought on by the conflict between his passionate longing for a contemplative life and a desire to see military action. He probably turned to religion to help sustain his mental equilibrium. In 1806 he resumed his academic studies and, believing himself destined to become a battle painter, made numerous drawings of historical battles, for example his still schoolish and baroquely composed Wallenstein in the Battle of L?tzen (1806; Frankfurt am Main, Stedel. Kstinst. & St?dt. Gal.). However, it was not until 1807, with Drawing with Twelve Travel Sketches (Frankfurt am Main, Stadt- & Ubib.), that he first began to overcome his beginner style and to develop his own. This resulted in reduced detail, simplified continuous contours, a structuring by means of planar rather than illusionistic criteria, a new clarity of vision and a chastened balance between nature and artistic conception.
George Willison
Portrait painter who was born in Edinburgh in 1741 and returned there to spend his retirement. He was a pupil of Mengs in Rome, before Mengs left for Madrid in 1761. He painted "Boswell" in Rome in 1765 which is now in the Scottish National Portrait Gallery. Willison was in London from 1767 and exhibited at the Scottish Academy between 1767 - 1770, and at the Royal Academy in 1771 and 1772. He left London for an opulent retirement in Edinburgh around 1784.